KAOS.AUDIO

Accessory kit for Miniature Microphones – Film

DAK4071-F description:

The DPA DAK4071-F Accessory kit for Miniature Microphones – Film.

The DPA DAK4071-F kit is made for Film or TV production use, when the microphone is not allowed to be visible. The kit is delivered in a sturdy, hard case with a transparent lid. It leaves room for a Miniature Microphone and one or more Connection Adapters and contains various microphone concealment fixtures. Included are 1 x DUA0572 Miniature Mesh for 4071, 1 x DUA0571 Windjammer for 4071, Grey Fur, 3 x DMM0010 Tie Pod (3 pcs), 1 x DMM0009 Miniature Concealer for 4071, 1 x ADH0004 Double-sided Mic Tape (10 pcs), 1 x ADH0003 Miniature Mic Tape (25 pcs), 1 x ADH0002 Double-sided Tape for Miniature Concealer (25 pcs), 1 x ADH0001 Double-sided Tape for Tie Pod (25 pcs).

Info on DPA DAK4071-F

Includes 10 x 4061BM, 1 x MSB600, 5 x SSB6000 and 5 x DAO0003. Very high quality microphone and preamp system, ideal for up to ten stringed instruments.

MSS6000 Microphone Summation System description:

The DPA MSS6000 Microphone Summation System 10 x 4061BM, 1 x MSB600, 5 x SSB6000, 5 x DAO0003. Very high quality microphone and preamp system, ideal for up to ten stringed instruments.

The DPA MSS6000 is a professional microphone and preamp summation system designed primarily for amplifying stringed instruments such as violin, cello and bass in an orchestral setup or other large events. A single MSS6000 system provides control of up to ten sound sources, reducing an entire section of ten down to two channels on a mixing console, thus freeing up many useful and costly channels on the stage box and the console. The whole system is powered by two channels of 48 V phantom power. The complete system consists of five Stereo Satellite Boxes, one Master Sum Box, ten Miniature Microphones (4061-BM), five MSS6000 cables, ten Microphone Holders for Strings and ten Universal Surface Mounts, all supplied in a durable Samsonite briefcase. The system is pre-equalized with hi- and lo-cut for sound reinforcement applications.

The main features of the DPA MSS6000 include:

• Power supply: 48 V phantom, applied simultaneously to the 2 microphone outputs
• Frequency range, +- 2 dB: 100 Hz – 10 kHz (-3 dB) with Soft Boost Grid; 100 Hz – 15 kHz (-3 dB) with High Boost Grid. Hi-cut: -6 dB/oct. from 10 kHz, Lo-cut: -6 dB/oct. from 100 Hz
• Max. SPL, peak before clipping: System unloaded: 134 dB; System loaded: 128 dB (10 pcs. DPA 4061-BM)
• Weight: 270 g (9.5 oz)
• Dimensions: 9.5 x 10.4 x 3.4 cm (3.75 x 4.1 x 1.4 in)

Info on DPA MSS6000 Microphone Summation System

Accessory kit for Miniature Microphones – ENG/EFP

DAK4071-E description:

The DPA DAK4071-E Accessory kit for Miniature Microphones – ENG/EFP.

The DPA DAK4071-E kit is made for ENG/EFP use, when the microphone is allowed to be visible. The kit is delivered in a sturdy, hard case with a transparent lid. It leaves room for a Miniature Microphone and one or more Connection Adapters. Included are 1 x DUA0572 Miniature Mesh for 4071, 1 x DUA0571 Windjammer for 4071, 1 x DUA0570 Windscreens, Colour Mix (8 pcs), 1 x DMM0008 Miniature Clip, Double Lock, Black, 1 x DMM0002-B Miniature Double Pin, Black.

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Cable for integration to D3/S5, 10 metre, RS green

DAO5000-G description:

The DPA DAO5000-G Cable for integration to D3/S5, 10 metre, RS Green.

The DPA DAO5000-G is a high spec, 10 metre coloured cable for use with the DPA Decca Tree and DPA S5 Microphone Mounts.

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6-String Dreadnought Acoustic Guitar, Natural

F310 Acoustic Guitar description:

The Yamaha F310 6-String Acoustic Guitar Package, Spruce Top, Natural, CD & Book, Strings, Strap. Bright, sweet tone, easy play and great value.

The Yamaha F310 offers outstanding quality at a truly budget price. The lively sound from the spruce/meranti body has a bright, sweet resonance not unlike Yamahas renowned FGs, and real rosewood is used for the fingerboard and bridge. The handling comfort of the slightly reduced body depth and intermediate scale length will be particularly appreciated by younger players.

The main features of the Yamaha F310 include:

• Bright, sweet tone, easy play and great value
• Spruce top
• Meranti back and sides
• Nato neck
• Rosewood fingerboard
• Rosewood bridge
• 96-116mm (3.78-4.57 inches) body depth
• 636mm (25.04) scale length
• Open chrome tuning machines

Info on Yamaha F310 Acoustic Guitar

Cable for integration to D3/S5, 10 metre, C orange

DAO5000-O description:

The DPA DAO5000-O Cable for integration to D3/S5, 10 metre, C orange.

The DPA DAO5000-O is a high spec, 10 metre coloured cable for use with the DPA Decca Tree and DPA S5 Microphone Mounts.

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Cable for integration to D3/S5, 10 metre, R red

DAO5000-R description:

The DPA DAO5000-R Cable for integration to D3/S5, 10 metre, R Red.

The DPA DAO5000-R is a high spec, 10 metre coloured cable for use with the DPA Decca Tree and DPA S5 Microphone Mounts.

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Cable for integration to D3/S5, 10 metre, LS blue

DAO5000-B description:

The DPA DAO5000-B Cable for integration to D3/S5, 10 metre, LS Blue.

The DPA DAO5000-B is a high spec, 10 metre coloured cable for use with the DPA Decca Tree and DPA S5 Microphone Mounts.

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Long Extension Unit

LEU5000 description:

The DPA LEU5000 Long Extension Unit.

The DPA LEU5000 is a Long Extension Unit for the DPA D3 and S5, 34 cm. Use as extension with CD5000/CDR5000 and TBH5000.

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Telescopic Extension Unit

TEU5000 description:

The DPA TEU5000 Telescopic Extension Unit.

The DPA TEU5000 is a Telescopic Extension Unit for the DPA CD5000 Center Disc or RCD5000 Rear Center Disc.

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Cable for integration to D3/S5, 10 metre, L yellow

DAO5000-Y description:

The DPA DAO5000-Y Cable for integration to D3/S5, 10 metre, L yellow.

The DPA DAO5000-Y is a high spec, 10 metre coloured cable for use with the DPA Decca Tree and DPA S5 Microphone Mounts.

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Telescopic Boom with Microphone Holder

TBH5000 description:

The DPA TBH5000 Telescopic Boom with Microphone Holder.

The DPA TBH5000 is a continuously variable Telescopic Boom with holder that fits DPA standard series microphones. Mount it in the DPA CD5000 Center Disc or RCD5000 Rear Center Disc, if necessary with a long or short extension unit.

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Short Extension Unit

SEU5000 description:

The DPA SEU5000 Short Extension Unit.

The DPA SEU5000 is a Short Extension Unit for the DPA D3 and S5, 17 cm. Use as extension with CD5000/CDR5000 and TBH5000.

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Rear Centre Disc

RCD5000 description:

The DPA RCD5000 Rear Centre Disc.

The DPA RCD5000 Rear Center Disc is designed to hold mic booms. The disc has three holes: Two are intended for LS RS, the third is used to connect the Center Disc with the Rear Center Disc. Fits both 5/8 inch and 3/8 inch via thread converter.

Info on DPA RCD5000

Includes five 4015-TL Wide Cardioid Microphones and five UA0898 Shock Mounts. Intended for use in a WCSA, Wide Cardioid Surround Array.

5015 4015-TL Surround Microphone Kit description:

The DPA 5015 4015-TL Surround Microphone Kit. Intended for use in a WCSA, Wide Cardioid Surround Array.

The DPA 5015 4015-TL Surround Microphone Kit includes five 4015-TL Wide Cardioid Microphones, P48 (matched within +-1 dB in sensitivity and frequency response in the microphone’s entire frequency range) and five UA0898 Shock Mounts. The 5015 4015-TL Surround Kit is intended for use in a WCSA (Wide Cardioid Surround Array). All five microphones are identical in sensitivity, overall response and sound character. The Wide Cardioid design offers the optimal blend between desired ambience control (cardioids) and room tone (omnis). When the kit is used in a WCSA you will get a very stable front image and excellent localization accuracy with intense, dynamic, and enveloping sound character. Rear cardioids can be angled upwards to blend in important height information. Expand this array with two left/right omni outriggers and you get a beautiful coherent, precise, and rich surround sound image.

The main features of the DPA 5015 4015-TL include:

• Principle of operation: Pressure gradient
• Cartridge type: 19 mm (0.75 in) pre-polarized condenser
• Power supply: 48 V Phantom power
• Frequency range, +- 2 dB: On Axis 40 Hz – 20 kHz
• Directional characteristics: Wide Cardioid
• Equivalent noise level A-weighted: Typ. 19 dB(A) re. 20 microPa (max. 20 dB(A))
• Sensitivity, nominal, +-2 dB: 10 mV/Pa; -40 dB re. 1 V/Pa
• Equiv. noise level ITU-R BS.468-4: Typ. 25 dB (correct with the attenuator in 0 dB or -20 dB setting)
• Capsule diameter: 19 mm (0.75)
• Total harmonic distortion (THD): <0.5% up to 110 dB SPL peak <1% up to 116 dB SPL peak
• Preamplifier frequency range: 20 Hz to 40 kHz -3 dB (loaded with 2×10 kOhm// 10 nF – equivalent to 100 m cable)
• Output impedance: <200 Ohm
• Cable drive capability: Up to 100 m (328 ft)
• Microphone length: 175 mm (6.9 in)
• Max. SPL, peak before clipping: 158 dB (attenuator set to either 0 dB or -20 dB)
• Weight: 165 g (5.8 oz)
• Operating temperature range: -10 to +55° C (+14 to 131° F)
• Dynamic Range: Typ. 97 dB

Info on DPA 5015 4015-TL Surround Microphone Kit

Centre Disc

CD5000 description:

The DPA CD5000 Centre Disc.

The DPA CD5000 Center Disc is made for mic booms. The disc has four holes: Three are intended for L C R, the fourth offers a possible upgrade to surround via the Rear Center Disc. The Center Disc also works upside down enabling both front- and rear pointing mic booms. Fits both 5/8 inch and 3/8 inch via thread converter.

Info on DPA CD5000

Surround Mount with integrated cables

S5C description:

The DPA S5C Surround Mount with integrated cables. Elegant, yet unobtrusive microphone mount for a broad variety of surround microphone arrays.

The DPA S5C Surround Mount with integrated cables is a highly versatile and stylish microphone mount. The Surround Mount provides extreme flexibility due to its unique building block design. It allows for numerous configurations while providing visual elegance. In the concert hall, the mount is hardly visible and completely non-light reflective. The mount is equally suitable for fixed installations and mobile setups and can be neatly packed away into the supplied briefcase for easy transportation. Compact and extremely lightweight, the Surround Mount is very strong and stable. Although the array is optimized for use with DPA microphones, it accommodates all microphone holders, and a broad variety of surround microphone arrays can be set up very neatly. Arrays like OCT2, Hamasaki Square, Fukada Tree, and the DPA speciality WCSA (Wide Cardioid Surround Array) are possible with the S5. Expandability is possible at all times and only your imagination is the limit. It’s elegant, yet unobtrusive, qualities and ability to reproduce any array accurately makes the S5C an obvious choice. The S5C comes with a measuring tape and the unique DPA protractor, making precise distance and angling possible without having large and clumsy devices permanently fixed on the booms.

The main features of the DPA S5C include:

• Elegant, yet unobtrusive microphone mount for a broad variety of surround microphone arrays
• Supplied with integrated cables
• Attaches to your stands – Fits both 5/8 inch and 3/8 inch via thread converter
• Weight: 2500 g (88 oz) w. microphone holders
• Surface: Non-light reflective
• Material: Anodized aluminium with assembly threads of stainless steel
• Colour: Black
• The S5 includes: 1 x UA0962 Microphone Holder for integrated cable in D3/S5, 1 x PMH5000 Protractor for Microphone Holder, 1 x MT5000 Measuring Tape, 1 x TEU5000 Telescopic Extension Unit, 1 x RCD5000 Rear Centre Disc, 1 x DAO5000-B Cable for integration to D3/S5, 10 m (33 ft), LS (blue), 1 x DAO5000-R Cable for integration to D3/S5, 10 m (33 ft), R (Red), 1 x DAO5000-G Cable for integration to D3/S5, 10 m (33 ft), RS (green), 1 x DAO5000-O Cable for integration to D3/S5, 10 m (33 ft), C (orange), 1 x DAO5000-Y Cable for integration to D3/S5, 10 m (33 ft), L (yellow), 8 x SEU5000 Short Extension Unit, 9 x LEU5000 Long Extension Unit, 5 x TBH5000 Telescopic Boom with Microphone Holder and 1 x CD5000 Centre Disc

Info on DPA S5C

Intended for use in Decca Tree front/backwards faced cardioids rear configuration.

5006-11 4006-TL / 4011-TL Surround Microphone Kit description:

The DPA 5006-11 4006-TL / 4011-TL Surround Microphone Kit. Intended for use in Decca Tree front/backwards faced cardioids rear configuration.

The DPA 5006-11 Surround Microphone Kit includes three 4006-TL Omnidirectional Microphones, P48, Transformerless (match within +-0.5 dB in sensitivity and frequency response in the microphones entire frequency range), three L50B Acoustic Pressure Equalizers, 50 mm (1.97 in) Ball, two 4011-TL Cardioid Microphones, P48 (match within +-1 dB in sensitivity and frequency response in the microphones entire frequency range) and two UA0898 Shock Mounts. The kit is intended for use in a Decca Tree front/backwards faced cardioids rear configuration. The Decca Tree advantages: more vivid dynamics and clarity due to its closer placement, excellent sound colour and authentic reproduction that is unique for omni microphones, full frequency range in front channels and relatively little direct signal in rear channels; avoiding the front sound sources from sounding too close or even behind you.

The main features of the DPA 5006-11 include:

• Principle of operation: 4006-TL: Pressure 4011-TL: Pressure gradient
• Cartridge type: 4006-TL:16 mm (0.63 in) pre-polarized condenser, 4011-TL: 19 mm (0.75 in) pre-polarized condenser
• Power supply: 4006-TL: Phantom P48, 4011-TL: 48 V Phantom power
• Frequency range, +- 2 dB: 4006-TL: 15 Hz – 20 kHz, 4011-TL: 40 Hz – 20 kHz
• Directional characteristics: 4006-TL: Omnidirectional, 4011-TL: Cardioid
• Equivalent noise level A-weighted: 4006-TL: Typ. 15 dB(A) re. 20 microPa (max. 17 dB(A)), 4011-TL: Typ. 19 dB(A) re. 20 microPa (max. 20 dB(A))
• Sensitivity, nominal, +-2 dB: 4006-TL: 35 mV/Pa; -29 dB re. 1 V/Pa, 4011-TL: 10 mV/Pa; -40 dB re. 1 V/Pa
• Equiv. noise level ITU-R BS.468-4: 4006-TL: Typ. 27 dB (max. 29 dB), 4011-TL: Typ. 25 dB (correct with the attenuator in 0 dB or -20 dB setting)
• Capsule diameter: 4006-TL: 16 mm (0.63 in), 4011-TL: 19 mm (0.75)
• Total harmonic distortion (THD): 4006-TL: <0.5% THD up to 129 dB SPL peak
  <1% THD up to 135 dB SPL peak, 4011-TL: <0.5% up to 110 dB SPL peak <1% up to 116 dB SPL peak
• Preamplifier frequency range: 4006-TL: 20 Hz to 40 kHz +-1 dB, 4011-TL: 20 Hz to 40 kHz -3 dB (loaded with 2×10 kOhm// 10 nF – equivalent to 100 m cable)
• Output impedance: 4006-TL: <200 Ohm, 4011-TL: <200 Ohm
• Cable drive capability: 4006-TL: Up to 100 m (328 ft), 4011-TL: Up to 100 m (328 ft)
• Microphone length: 4006-TL: 165 mm (6.5 in), 4011-TL: 175 mm (6.89 in)
• Max. SPL, peak before clipping: 4006-TL: 143 dB, 4011-TL: 158 dB
• Weight: 4006-TL: 150 g (5.29 oz), 4011-TL: 165 g (5.82 oz)
• Operating temperature range: 4006-TL: -10 to +70° C (+14 to 158° F), 4011-TL: -10 to +70° C (+14 to 158° F)
• Dynamic Range: 4006-TL: Typ. 120 dB, 4011-TL: Typ. 97 dB
• Switchable attenuator: 4011-TL: 0 dB, -20 dB
• S/N ratio, re. 1 kHz at 1 Pa (94 dB SPL): 4006-TL: 79 dB, 4011-TL: 75 dB(A)
• Connector: 4006-TL: 3-pin XLR-M (Standard P48), 4011-TL: 3-pin XLR-M (Standard P48)

Info on DPA 5006-11 4006-TL / 4011-TL Surround Microphone Kit

Decca Tree with integrated cables

D3C description:

The DPA D3C Decca Tree with integrated cables. Elegant, yet unobtrusive microphone mount.

The DPA D3C Decca Tree with Integrated Cables is a highly versatile and stylish microphone mount. The Decca Tree provides extreme flexibility due to its unique building block design. It allows for numerous configurations while an integrated custom length cable option adds even more value to the products visual elegance. In the concert hall, the mount is hardly visible and completely non-light reflective. The mount is equally suitable for fixed installations and mobile setups and can be neatly packed away into the supplied briefcase for easy transportation. Compact and extremely lightweight, the Decca Tree is very strong and stable. Although the array is optimized for use with DPA microphones, it accommodates all microphone holders. All three microphones can be spaced 60 210 cm (2 7 ft) apart, either on-line, in a vintage Decca school T-shape, or in an equilateral triangle configuration for optimal balance with a centered fixation point. Expandability is possible at all times and only your imagination is the limit. Its elegant, yet unobtrusive, qualities and ability to reproduce any Decca array accurately make the D3 an obvious choice. An upgrade kit from D3 to S5, D3X, is available for you to easily upgrade to a D5 Surround Mount. The D3C comes with a measuring tape and the unique DPA protractor, making precise distance and angling possible without having large and clumsy devices permanently fixed on the booms.

The main features of the DPA D3C include:

• Elegant, yet unobtrusive microphone mount
• Integrated Cables
• Attaches to your stand – Fits both 5/8 inch and 3/8 inch via thread converter
• Weight: 1300 g (46 oz) w. microphone holders (excl. cables)
• Surface: Non-light reflective
• Material: Anodized aluminium with assembly threads of stainless steel
• Colour: Black
• The D3 includes: 1 x UA0962 Microphone Holder for integrated cable in D3/S5, 1 x PMH5000 Protractor for Microphone Holder, 1 x MT5000 Measuring Tape, 1 x DAO5000-R Cable for integration to D3/S5, 10 m (33 ft), R (Red), 1 x DAO5000-O Cable for integration to D3/S5, 10 m (33 ft), C (orange), 1 x DAO5000-Y Cable for integration to D3/S5, 10 m (33 ft), L (yellow), 3 x LEU5000 Long Extension Unit, 6 x SEU5000 Short Extension Unit, 3 x TBH5000 Telescopic Boom with Microphone Holder and 1 x CD5000 Centre Disc

Info on DPA D3C

Upgrade kit with D3 to S5

D3X description:

The DPA D3X Upgrade kit with D3 to S5.

The DPA D3X Upgrade Kit expands your DPA D3 Decca Tree into an S5 Surround Mount. You will be able to set up the array in a broad variety of surround microphone arrays.

The main features of the DPA D3X include:

• Surface: Non-light reflective
• Material: Anodized aluminium with assembly threads of stainless steel
• Colour: Black
• The D3 includes: 1 x TEU5000 Telescopic Extension Unit, 6 x LEU5000 Long Extension Unit, 2 x SEU5000 Short Extension Unit, 2 x SH5000 Suspension Hook, 2 x TBH5000 Telescopic Boom with Microphone Holder and 1 x RCD5000 Rear Centre Disc

Info on DPA D3X

Capable Of Precisely Replicating Any Classic Mic-Pre And Compressor

Liquid Channel professional channel strip description:

The Focusrite LIQUID CHANNEL Capable Of Precisely Replicating Any Classic Mic-Pre And Compressor. Unique channel strip with cutting-edge analogue design and lightning fast processing power.

The Focusrite LIQUID CHANNEL is a revolutionary professional channel strip that can precisely replicate any classic mic-pre and compressor. Combining radical new analog preamp technology with Dynamic Convolution techniques. The Liquid Channel fuses cutting-edge analog design with lightening fast SHARC DSP. Augmented by fully digital controls and optional remote software, the Liquid Channel provides the ultimate fluid vintage collection.

Rather than creating a similar sound to vintage units, as with modelling devices, the Liquid Channel precisely replicates their sonic behavior. This is achieved through Dynamic Convolution, the application of a unique, level-dependant set of responses to an audio signal. These measured responses, sampled at numerous levels and with every possible setting combination, are applied to the input stream on a sample-by-sample basis for accurate replication. Mic-pre replication can’t be achieved with software alone. Hardware is required in addition to account for the physical interaction with the microphone.

As a result, Focusrite invested vast amounts of time and energy into designing and building the ultimate “liquid” preamplifier, able to match the input impedance and signal path (transformer or electronic) of the device being replicated. Second order harmonic distortion is a beneficial artifact of analog circuits (especially tube and transformer-coupled designs) providing the much-loved warmth. However, often 2 units of the same type will vary in the amount of second order distortion produced, so an additional control for modifying this vintage property is provided. This allows for precise matching of the Liquid Channel to your own beloved mic pre.

The Liquid Channel combines a highly complex, massively flexible analog front-end with Dynamic Convolution processing, which utilizes lightening-fast SHARC chips and runs at sample rates of up to 192kHz. The front panel controls are digital, with tactile rotary encoders; all parameters can be stored in one of 99 program memories. At the press of button, you can reload all mic-pre, compressor and EQ settings for an individual session. If using The Liquid Channel in conjunction with a recording platform (e.g. Pro Tools), both the session files and the Liquid Channel’s program memory can be sent via standard data transfer methods, providing a completely mobile recording session.

Perfectly replicated vintage classics with the power and ease of use of the digital domain. The USB port on the rear panel allows remote control of The Liquid Channel, leaving the processor safely racked away. But that’s not all. The software application also serves as an archiving system for additional replicas and program memories, and permits downloads of additional classic units from www.ffliquid.com.

The main features of the Focusrite LIQUID CHANNEL include:

• Combines radical new analog pre-amp technology with Dynamic Convolution techniques
• Fuses cutting-edge analog design with lightning fast SHARC DSP running at 192kHz
• Loaded with 40 classic mic-pre and 40 classic compressor replicas
• Endlessly expandable library of replicas via USB download
• 99 User memories allow you to save every parameter
• File format provides easy transfer to other Liquid users
• Software application option allows comprehensive control and archiving facility
• 192kHz internal processing and ADC/DAC as standard
• New Focusrite Digital EQ
• Adjustable 2nd order distortion accounts for variance in vintage originals
• Cascade two units for stereo-linking of all parameters

Info on Focusrite Liquid Channel professional channel strip

Foam windscreen specially designed for 19mm microphones.

DUA0020 Windscreen description:

The DPA DUA0020 Small Windscreen for 19mm 0.75in Microphone. High quality foam windscreen.

The DPA DUA0020 is a small dark gray foam windscreen for ~19mm microphones. The quality of the foam ensures, that the windscreen does not attenuate the higher frequencies more than the tolerance field of the microphone frequency response and simultaneously provides excellent protection from wind and pop-noises. It is well suited for outdoor applications and for speech and singing at short distances. It is specially designed for the Compact Cardioid Microphones for example on Flamingo Series floor stands. An ideal windscreen for the DPA 4021/22/23/26/27/28 microphones.

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Provides clean filtered power. It is an essential accessory especially on location, or when electrical pollution, surges and spikes can harm the performance of these products.

IT4000 Isolation Transformer for Series 4000 Microphones description:

DPA IT4000 Isolation Transformer for DPA 4000 series Microphones.

The DPA IT4000 isolation transformer provides clean filtered power. It is an essential accessory especially on location, or when electrical pollution, surges and spikes can harm the performance of these products.

Info on DPA IT4000 Isolation Transformer for Series 4000 Microphones

Gooseneck Mount, 19mm 0.75in

GM4000 description:

The DPA GM4000 Gooseneck Mount, 19mm 0.75in.

The DPA GM4000 is specially designed for mounting the studio quality Compact Microphones directly inside a piano. It has a brass gooseneck, which allows the compact microphone to be adjusted in any direction. A 3/8-inch thread allows it to be mounted on the Magnet Base MB4000 for placement on metal surfaces. The GM4000 can also be fitted with 12mm and 16mm rubber mounts, available for use with other microphones in the Compact series.

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Gooseneck Mount, 16mm 0.63in

GM4050 description:

The DPA GM4050 Gooseneck Mount, 16mm 0.63in.

The DPA GM4050 is specially designed for mounting the studio quality Compact Microphones directly inside a piano. It has a brass gooseneck, which allows a compact microphone to be adjusted in any direction. A 3/8-inch thread allows it to be mounted on the Magnet Base MB4000 for placement on metal surfaces. The GM4050 can also be fitted with 12mm and 19mm rubber mounts, available for use with other microphones in the Compact series.

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Cable Suspension Mount

SM4000 description:

The DPA SM4000 Cable Suspension Mount.

The DPA SM4000 Suspension Mount is a simple and flexible mount for the Compact Cardioid Microphones Types 4021, 4022 and 4023 plus the Compact Omnidirectional Microphone Types 4051, 4052 and 4053. It allows the microphone to hang from its cable and then be oriented in any direction desired by bending the holder. The mount is delivered as a standard accessory with all the microphone types mentioned above.

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Highly regarded analog channel strip with unrivaled fidelity and fabulous flexibility.

ISA430 MK2 Mic Pre-Amp description:

The Focusrite ISA430 MK2 Mic Pre Amp. Highly regarded analog channel strip with unrivaled fidelity and fabulous flexibility.

The Focusrite ISA430 MK2 Producer Pack, is a true do-all processor for the most demanding of engineers with the ability to function as 4 separate modular processors: mic pre, EQ, Dynamics and stereo ADC. Expanding greatly on the original ISA 430, the ISA 430 MKII boasts unmatched flexibility, both in terms of routing and of sonic characteristics.The ISA 430 MKII represents the pinnacle of Focusrites analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and flavours, alongside unmatched internal routing and connectivity, the ISA 430 MK2 enables todays recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor.

The main features of the Focusrite ISA430 MK2 include:

• Classic Focusrite transformer- based Mic-pre with variable impedance and Air feature
• Multi format Compressor; switch between Focusrites transparent VCA circuit and a vintage optical circuit
• Unmatched flexibility with an incredible variety of insert points and variable signal path arrangements
• Ability to function as 4 separate modular processors: mic pre, EQ, Dynamics and stereo ADC
• Precision VU metering of input level, Insert 1 or 2 Return level, Compressor gain reduction or Sidechain listen level (switched)
• Classic Focusrite EQ design; an expanded version of the original ISA 110
• Post mic pre output for the shortest possible signal path
• Proprietary Focusrite discrete Class A VCA Gate and Expander designs
• Listen feature for precise control over compression, gating, expansion and de-essing
• De- esser design based on optical technology for lower distortion and transparency
• Soft Limiter to avoid critical digital overload
• Optional Stereo A/D 24-bit 192 kHz Delta Sigma converter

Info on Focusrite ISA430 MK2 Mic Pre-Amp

Compact Active Pole, 400mm 15.8in

CAP0400 description:

The DPA CAP0400 Compact Active Pole, 400mm 15.8in. High quality active microphone pole with a short gooseneck.

The DPA CAP0400 is a 400 mm active microphone pole with a short gooseneck, which allows the microphone to be adjusted up to 90°. It is fitted with a female Lemo-connector for quick and safe connection of microphones and accommodates the Compact Microphones Types 4023, 4033 and 4053. The CAP0400 has a standard 3-pole XLR at the rear of the pole and can be used directly on phantom power P48. A strong rubber coating gives the pole a dark gray non-reflective surface specially designed for the, from time to time, rough life in TV-studios and OB-vans. This active microphone pole is intended for usage in table stand applications especially together with the TSM4000 Table Shock Mount.

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Compact Active Pole, 750mm 2.5ft

CAP0750 description:

The DPA CAP0750 Compact Active Pole, 750mm 2.5ft. High quality active microphone pole with a short gooseneck.

The DPA CAP0750 is a 750 mm active microphone pole with a short gooseneck, which allows the microphone to be adjusted up to 90°. It is fitted with a female Lemo-connector for quick and safe connection of microphones and accommodates the Compact Microphones Types 4023, 4033 and 4053. It has a standard 3-pole XLR at the rear of the pole and can be used directly on phantom power P48. A strong rubber coating gives the pole a dark gray non-reflective surface specially designed for the, from time to time, rough life in TV-studios, OB-vans and on stage in theaters and concert halls. The CAP0750 has it’s place among the components in DPA’s elegant Flamingo Series of Floor and Table Stands and is a standard part of the short single floor stand FJS4000 Flamingo Junior. The photo shows the pole in dark gray fitted to a Flamingo stand (shown in light gray – not included with the pole).

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Compact Active Pole, 1250mm 4.1ft

CAP1250 description:

The DPA CAP1250 Compact Active Pole, 1250mm 4.1ft. High quality active microphone pole with a short gooseneck.

The DPA CAP1250 is a 1250 mm active microphone pole with a short gooseneck, which allows the microphone to be adjusted up to 90°. It is fitted with a female Lemo-connector for quick and safe connection of microphones and accommodates the Compact Microphones Types 4023, 4033 and 4053. It has a standard 3-pole XLR at the rear of the pole and can be used directly on phantom power P48. A strong rubber coating gives the pole a dark gray non-reflective surface specially designed for the, from time to time, rough life in TV-studios, OB-vans and on stage in theaters and concert halls. The CAP1250 has it’s place among the components in DPA’s elegant Flamingo Series of Floor and Table Stands and is a standard part of the single floor stand FGS4000 Flamingo Grand, plus the double floor stand FGT4000 Flamingo Grand Twin. The photo shows the pole in dark gray fitted to a Flamingo stand (shown in light gray – not included with the pole).

Info on DPA CAP1250